Wednesday 10 September 2014

The Fever - Megan Abbott

It’s been a long time since I was so obsessively reading a book, the feeling of wanting to just go one page further has long since disappeared along with most of my more exciting teenage years, so it was with no large expectation that I began The Fever shortly after reading an article by another who was in the same predicament.


The suspense is stretched taut over a small community centred around the local high school, at least that’s how Deenie sees the hub of her life. The perspective of the Nash family, a teenage girl called Deenie, her older brother Eli and father Tom who teaches Chemistry at the school.

When one of Deenie’s best friends has a violent seizure during class, the doctors, press, students and parents all become fixated on the mysterious surge of seizures following it.


While it’s as addictive as everyone says it is, the thrilling nature of the book mostly comes from over-dramatising events and dropping off sentences. The use of phrases such as ‘and then something unexpected happened’ makes most events seem revelatory.


Abbott writes for the teen audience, with the melodrama being aimed at them as well as serving as a depiction of the teenage generation as a whole, the novel dishes up some characters that suit the thriller genre well, as it complements the general dramatic attitude of teenagers, making it a good read for adults viewing the youth culture of today. The shocks can seem kind of cheap, but still adds to the excitement of the novel.


Abbott writes in the style of Stephen King, the brevity of Bret Easton Ellis and the outlook of Ira Levin, there are lots of themes that are tackled which have previously been addressed in the aforementioned authors’ works, adolescence, feminism, health. There are also some great concepts and the book throws ever more layers to the veneer of mystery, using language as a powerful tool, to discomfort and prey on the reader, the bats, lake and creepy crawly allusions make for some illustrated writing.


The Fever UK edition Abbott cover UK Edition[/caption]


Every character and piece of dialogue is brimming with identity, each suspicious and suspecting, always full of intrigue. As the narrative unwinds the tension begins to heat up until the final arc, but the ending just isn’t quite as fulfilling by the time you put down the book, you are hungry for more, more of The Fever but also more Megan Abbott.


The novel ends up being revolved around hype and doesn’t quite live up to its own promise, hinged on a self-aware joke, that in the end, didn’t have enough velocity to escape the gravitational pull of its unsatisfying ending. Sadly, almost anyone could say that the entire focus of a narrative was to highlight a fine point as a means to explain away a disappointing flaw.


Despite the issue I had with it, I enjoyed the book immensely, it is a great achievement, at least on my part as a reader, as well as being a good book for a variety of different people, adults can immerse themselves in the canny situations involving modern youths, with the added informative pleasure of witnessing the events unfurl with the catalyst of web-based technology and I can also imagine that it could grip male readers, its paranoiac precision evokes Levin greatly.


Energetic, inspiring, thought-provoking and compelling. However mildly disappointing it is, to put it down in words seems an injustice to a book which was highly enjoyable 95% of the time.



The Fever - Megan Abbott

Wednesday 3 September 2014

Northern Lights - Philip Pullman

Before Harry Potter there was Northern Lights.

First released in 1995, Northern Lights is a fantasy novel that took on a darker tone than conventional children’s fantasy books, it is closest to a YA novel in its themes and has been steeped in controversy since its publication as religious groups condemn the anti-religion sentiment in the novel.


Northern Lights is the first of the trilogy, His Dark Materials, which I first read when the concluding novel, Amber Spyglass was released in the UK in 2000, having caught my attention with its comparisons to Harry Potter, I read the trilogy in a few weeks, which soon cemented Northern Lights as one of my favourite books of all time. I recently obtained a beautiful Folio Society edition of the trilogy for my birthday and so decided to revisit it and see how my adult perspective differs.


Lyra Belacqua is a 12 year old girl who lives at the University in an alternate Oxford, which features steam-punk technology and somewhat Victorian society, after hearing a conversation between her Uncle, Lord Asriel and some colleagues in a secret room within the University, it sets in motion an adventure which takes her to the Arctic in search of lost friends.


Thanks to a panned film release a few years ago, there has been little interest in the series as a book trilogy or as potential newer adaptations, although it wasn’t the first time that it had courted the press, the issue of its handling of religion may have had a part in it, particularly for its exposure in America.


Modelling the title of the trilogy, ‘His Dark Materials’ after a sentence in Paradise Lost by John Milton, it would be remiss not to mention all of the numerous religious references in this novel, drawing parallels to the Catholic Church and portraying it in negative light. As a youngster, I always felt that the series wasn’t derogative about religion, as it portrayed some of the ideas in a way that can be more easily understood, after all, what is a religion but its doctrines? Overall, I don’t believe merely showing rules and beliefs that are not the current church’s, to be offensive.


Folio His Dark Materials


The nature of Northern Lights is inherently darker than other fantasy novels of its calibre, with child kidnappings and gory violence, it is instantly recognisable as a breed of its own. After reading the trilogy, Harry Potter’s Goblet of Fire was merely tame in comparison. The themes are much more mature, dealing with the hardships of adulthood and not just responsibility like most coming-of-age portrays.


The characters of Lyra & Pantalaimon are well-crafted, mischievous and wholly believable, the way they are handled means that children can almost look up to her, and adults can understand her, being that she is more mature than the average hero. Other characters include,


Due to its dark concepts and controversial undertones, this book isn’t for everyone, the sequels narratives venture vastly in comparison, which a lot of people didn’t appreciate, although if you are looking for a subversive and interesting fantasy novel, this one really is it.



Northern Lights - Philip Pullman